Barney’s Big Surprise (Video 1998)
- Video
- 1998
- 1h 16m
IMDb RATING
6.7/10
24
YOUR RATING
FamilyMusical
It’s BJ’s Birthday, and his friends are planning a big party for him.It’s BJ’s Birthday, and his friends are planning a big party for him.It’s BJ’s Birthday, and his friends are planning a big party for him.
- Director
- Clark Santee
- Writers
- Stephen White
- Sheryl Leach
- Kathy Parker
- Stars
- Bob West
- Carey Stinson
- Josh Martin
Photos
Top cast
Bob West
- Barney
- (voice)
Carey Stinson
- Barney (body)
Josh Martin
- Barney (body)
Julie Johnson
- Baby Bop
- (voice)
Lee Clark
- Baby Bop (body)
Jennifer Romano
- Baby Bop (body)
Patty Wirtz
- BJ
- (voice)
Pat O’Connell
- BJ (body)
Kyle Nelson
- BJ (body)
Trent Gentry
Vanessa Lauren
- Rachel
Mallory Lineberger
Brandt Love
Michelle McCarel
- Mother Goose
Dewayne Hambrick
- Old King Cole
Camille Pritchett
- Dancer
Heather Brown
- Dancer
Jay Benson
- Dancer
- Director
- Clark Santee
- Writers
- Stephen White
- Sheryl Leach
- Kathy Parker
- All cast & crew
- Production, box office & more at IMDbPro
More like this
Barney & Friends
Waiting for Santa
Barney Live! In New York City
Barney’s Magical Musical Adventure
Barney’s Halloween Party
Bedtime with Barney: Imagination Island
Barney’s Stu-u-upendous Puzzle Fun!
Barney’s Fun & Games
Barney’s Sense-Sational Day
Barney’s Great Adventure
Barney: What a World We Share
Barney’s Musical Scrapbook
Storyline
Did you know
- Connections
Featured in Barney’s Dino Dancin’ Tunes (2000)
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Details
- Release date
- May 19, 1998 (United States)
- Language
- English
- Filming locations
- Lawrence Joel Veterans Memorial Coliseum – 2825 University Parkway, Winston-Salem, North Carolina, USA
- Production companies
- High Five Films
- Lyons Group
- Lyons Partnership L.
P.
- See more company credits at IMDbPro
Technical specs
- Runtime
1 hour 16 minutes
- Color
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| Summary: |
Barney is planning a surprise party for BJ and it’s going to be a musical extravaganza. |
Joel Edwards Public Library
Library
Lanford Library
Tarbutton Memorial Library
Swindle Public Library (Nicholson)
Miller Library
Marys Library
Hagler Public Library
| General Note: |
Title from cassette label. |
| Formatted Contents Note: |
Barney is a dinosaur — If you’re happy and you know it — Welcome to our treehouse — Baby Bop hop — Happy birthday to me — My kite — Driving medley — Tinkerputt’s song — We are little robots — The rainbow song — Hey, look at me, I can fly — Ducks that I once knew — Happy birthday to me/reprise — If all the raindrops — Old MacDonald had a farm — I’m Mother Goose — Mother Goose medley — Old King Cole — Happy birthday — I love you. |
| Target Audience Note: |
Ages 1-8. |
| System Details Note: |
VHS, stereo. |
| Language Note: |
Closed-captioned for the hearing impaired. |
| Subject: | Birthdays > Juvenile films. Children’s parties > Planning. Animated films Films for the hearing impaired. |
- Classic collection
- Classic collection (Barney Home Video (Firm))
Currently available copies
- 1 / 1 copies available at PINES
Holds
- 0 current holds on 1 total copy.
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Call Number / Copy Notes | Barcode | Shelving Location | Status | |
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| Peach Public Libraries: Thomas Public Library |
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Antisocial distance | Opinions | Izvestia
An artist in self-isolation in a snowy forest, a town with deserted streets, nature’s rebellion against man.
.. These are the motifs of an art film shot not at the height of the pandemic, but a year and a half before it. The fact that art is able to anticipate reality could be seen at the Russian premiere of Matthew Barney’s Redoubt, which became the central event of the MIEFF experimental film festival that ended. In our country, the name of the painting was translated as “Redoubt”, although, rather, it means a different, broader meaning of the English word – “Stronghold”. But what stronghold are we talking about?
Matthew Barney is one of the most important figures in contemporary art. The author of performances, video art, sculptures and installations, he creates not just individual works, but entire universes where different genres of artistic expression coexist in a bizarre symbiosis. In Russia, Barney is known primarily as the author of the large-scale five-part Cremaster cycle, as well as the musical film Drawing Restraint 9 with Björk, ex-wife Matthew, in the title role. Both of these projects were shown as part of the Moscow Biennale in 2007, and the author himself came to present them.
And in 2017, exactly 10 years after that memorable visit and again at the Moscow Biennale, Russian fans of Barney saw his physical works for the first time: four copper plates with semi-abstract images. The series was called “Space Hunt”. We didn’t know then that these were parts of his massive new project Redoubt, the central element of which is a performance film that just shows the story (fictitious?) of creating those strange engravings.
Idaho’s snowy highlands. Endless forests. An artist-engraver arrives in the forester’s trailer on the river bank – Matthew himself, who has let go of his beard. The opening is reminiscent of Kubrick’s The Shining, and Barney does not disguise it at all, on the contrary, he allows himself to quote the famous opening scene filmed from a helicopter. However, if in Kubrick the creative plans of the writer Jack Torrance were violated by imaginary ghosts and progressive madness, then in Redoubt everything is even more mysterious: an engraver painting landscapes on copper in the open air and casually killing a lynx collides with three forest nymphs.
The main one is indicated in the credits as Diana – a direct reference to the ancient myth.
Recall it. The young man Actaeon went hunting in the forest, where the goddess Diana also hunted. And either he decided to compete in skill with Diana, or he accidentally saw the goddess naked while bathing (the legends differ), but the angry lady turned Actaeon into a deer, and her own dogs tore him to pieces. In Redoubt, the denouement is less bloodthirsty, but more symbolic: during a solar eclipse, wild wolves break into the artist’s trailer and cause a pogrom there. This is no longer the revenge of a specific offended woman, as in Ovid’s Metamorphoses, but a rebellion of nature against human intervention.
Actually, nature, and by no means the engraver or Diana, is the main character of this film. The same stronghold. Barney now and then shows majestic landscapes and the natural life that unfolds in them: an otter emerges from under the ice and hides in the water again, deer run up the mountain, and birds of prey busily peck at someone’s bloodied carcass.
In some places, Redoubt resembles a National Geographic show, but the avant-garde, hypnotizing-tense music of Jonathan Bepler, Barney’s constant colleague, does not let us forget for a second that we have an author’s experimental film, and everything in it has a conceptual meaning.
Redoubt makes you feel nature in a new way, evoking a whole range of emotions, not only superficial tenderness of beauty. And this turns out to be surprisingly in tune with the feelings that many of us experienced last year, having escaped from megacities to dachas in the midst of a pandemic and for the first time in our lives found ourselves in a natural environment for a long time, where a person is only a guest. Actually, something similar happened to Barney himself, for whom Redoubt became a return to his small homeland (he grew up in Idaho) and the most intimate project, except for his first directorial experiments at the beginning of 1990s.
The intimacy, of course, is not in the duration – the film runs for more than two hours – and not in the ideological scale, but in the narration rarefied like mountain air, an unusually small number of characters and storylines.
In addition to Barney himself, there is a lady living with him in the trailer and “developing” engravings using electrolysis, the three forest dwellers mentioned above and an Indian dancer who performs a ritual dance with hoops.
This scene deserves a special mention. When the viewer gets tired of the irreplaceable natural scenery, the action is transferred to the town at the foot of the rocks. The artist goes there to have a cup of coffee at the bar. Walking through the deserted streets (another actual pandemic motif!), he looks into the half-open door of a wooden building and sees strange preparations there: a girl in an authentic outfit collects a lot of hoops, pasting them with multi-colored tape. Then she will begin her folk dance all alone – Barney will have left by then. And this, of course, is also a metaphor for the relationship between the indigenous population of America and the colonialists, rhymed with the conflict between nature and man.
What Redoubt doesn’t have much of is interaction between characters.