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Monitors for camera: Best on-camera monitors in 2023

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Even the most perfectionist photographer or videographer can miss an important detail when reviewing footage on a small LCD screen, which is why on camera monitors are a vital addition to any serious creator’s gear pack. With so many On Camera Monitors available, choosing the best monitor for your project can be challenging. The good news is that we offer a great selection of reliable brands, and our friendly Technical Staff can also provide you useful guidance and help you pick the right external monitor.

Other important additions to your video monitoring gear pack might include Viewfinders & EVF’s, Production Monitors, Monitor Accessories, and Wireless Video Transmitters.

HDMI Camera Monitors for sale

49 results

Frequently Asked Questions About HDMI Camera Monitors

An HDMI camera monitor can connect with an external camera system and view a live feed or playback video. It simply hooks up to an HDMI source, which offers uncompressed digital audio and video. Choosing an affordable camera monitor can be difficult, but eBay can make the selection process easy.

What are different types of camera monitors?

Camera monitors can be roughly divided into two different categories:

  • Field Monitor – Designed for professional high-end photography or video, the field monitor connects to your digital camera and allows you to preview the image while in the field. These monitors tend to feature a very durable exterior that can withstand extreme weather and outdoor conditions. And despite their physical size, they often have a wide colour range, high contrast ratio, and large viewing angles. Some monitors may also come with a mount adapter.
  • CCTV Monitor – This monitor is designed to view or playback footage from a security and surveillance system. It resembles a basic computer monitor with a stand.

How do you choose the right monitor?

Camera monitors can vary widely in their feature set. Here is what you need to know about them:

  • Size – Camera monitors are quite small. They typically range in size between 5 inches and 10 inches in diagonal size, although sometimes they can be larger.
  • Resolution – Most camera monitors are likely to be limited to 1080p or 1200p resolution due to their physical size. However, some field monitors will accept inputs from the camera at a full 4K resolution, so you can see all the extra detail reflected on the screen.
  • Display Outputs – Apart from HDMI, some monitors have extra connections for VGA, RCA, or BNC. CCTV monitors are more likely to have older legacy outputs to deal with all kinds of hardware.
  • Advanced Functions – Field monitors in particular may be equipped with advanced functions such as pixel zoom, peaking, false colours, exposures, histograms, and more.
  • Extra Features – Extra features include built-in speakers, battery packs, USB ports, a headphone port, and in the case of field monitors, a hood.

What is an IPS monitor?

IPS, which stands for in-plane switching, is a certain type of LCD monitor. An IPS monitor has wide viewing angles and high colour reproduction. The quality of the image won’t degrade when viewing from different angles, which is a problem with many other panels. IPS technology is commonly used in field monitors because you might not always be looking at the screen from a perfect angle.

TOP-8 Best on-camera monitors in 2023

The best on-camera monitors help you see what you’re shooting, and some even allow you to shoot in the best codecs.

If you’re just getting started with video, on-camera monitors can seem like a luxury. Experienced videographers will tell you otherwise. In addition to enlarging the screen to make recording easier, many on-camera monitors can improve the video quality of your camera. Whether you’re shooting with the best movie camera, the best mirrorless or the best DSLR, an external monitor is a must if you want to get serious about cinematography.

You may think you don’t want to add weight or make it even bigger, but an on-camera monitor is worth it. The large display means you’ll be able to see a more accurate, vibrant display of your footage while you’re shooting. If a speck of dust gets on the lens or sensor, it will be much easier to determine on a 7-inch screen than on a 3-inch one.

Some high-end on-camera monitors not only increase the screen size, but also enhance the functionality of the camcorder. For example, when shooting with a Panasonic Lumix S5 and an external Atomos Ninja V recorder, you can shoot 12-bit RAW instead of 10-bit 4:2:2 with its internal recording option. Camera monitors are also a great addition if your camera doesn’t have features like a fully articulating screen like the Blackmagic Pocket Cinema Camera 6K.

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Even if you have features such as focus peaking, zebra lines and false colors enabled, the on-camera monitor allows you to use a frame-by-frame screen , which can reveal flickering that is not visible on smaller monitors. They also allow content to be checked out and shown to other people on set without being crowded around the small screen.

In this ranking, we take a look at the best external monitors and recorders so you can get the big picture experience before you hit the editing room and it’s too late to reshoot. Atomos Ninja V 3 Screen technology: LCD
Screen resolution: 1920 x 1080
Aspect ratio: 16: 9
Recording capability: Yes
Batteries: Sony L-Style
Touch screen: Yes
HDR: Yes
Brightness: 1000 nits

Pros

  • Very compact
  • Built-in recorder
  • Multipurpose

Cons

  • Fan noise
  • 9006 2 No buttons

Since the release of Atomos Ninja V in 2018, it has become the industry standard for monitor recorders. It’s a popular choice among beginners and professional videographers and filmmakers thanks to its beautifully calibrated 5″ HDR display and the ability to support 4K 60p ProRes HQ, H.265, 4:2:2 ad DNxHR.

Ninja V will also support 6K Apple ProRes RAW, and is the only monitor of its size that can do so thanks to an agreement between Apple and Atomos. Other features include professional grade monitor tools such as waveforms, false colors, HDR monitoring, and LUT support.

If your camera doesn’t support 4K, the Ninja V may be overkill as you won’t get the most out of the features you pay for. If you just want a monitor to make watching videos easier, Atomos Shinobi (below) is your best bet and saves you money. Alternatively, if you’re shooting serious projects and need something even bigger, the Atomos Shogun, which appears later in this list, has a huge 7-inch screen, perfect for use with the best movie cameras.

2

Atomos Shinobi

Best On-Camera HDR Monitor

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Screen Size: 5.2″
9001 3 Screen technology: LCD
Screen resolution: 1920 x 1080
Aspect ratio: 16: 9
Recording capability: No
Batteries: Sony L-Style
Touch screen: Yes
HDR: Yes
Brightness: 1000 nits

Pros

  • Incredibly light
  • Great HDR display

Cons

  • 900 62 Will not work with all Ninja accessories
  • Plastic housing

If you just need an external on-camera monitor and no recording capability is needed, the Atomos Shinobi delivers the image quality of the Atomos Ninja V but at a lower price. It’s the perfect choice for vloggers shooting with cameras with limited screen position, such as the Sony A7 III or the Blackmagic Pocket Cinema Camera 4K fixed display.

You can easily view the waveform and histogram thanks to the intuitive menu. Thanks to its centrally located battery, the Shinobi is well balanced, perfect for when you need to shoot with a gimbal.

If you’re a photographer or videographer, Shinobi’s screen will be able to accurately display HDR shots that the camera’s native screen can’t. The standard model comes with HDMI connectors, but you can choose the Atomos Shinobi SDI model, which comes with lockable SDI connectors.

3

Blackmagic Video Assist 5″ 12G HDR

Most Premium 5″ Monitor/Recorder

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Screen Size: 5″
Screen type: LCD
Screen resolution: 1920 x 1080
Aspect ratio: 16: 9
Recording capability: Yes
Batteries: Sony L-Style battery slots
900 13 Touchscreen: Yes
HDR: Yes
Brightness: 2500 nits

Pros

  • RAW capture
  • Bright HDR display

Cons s

  • No HDMI RAW capture
  • Screen glare

Blackmagic Video Assist 5 -inch is the only recorder in our selection that can capture Blackmagic’s RAW video for the Pocket Cinema Camera Range and is ideal for editors using Davinci Resolve for grading and editing.

Announced at IBC 2019, it has delighted video enthusiasts given its potential for using RAW compatible Canon and Panasonic cameras – Blackmagic is in talks with both manufacturers to ensure Video Assist will work well with their products.

Although Blackmagic RAW video has to be shot using SDI ports rather than HDMI, the monitor’s excellent display and recording performance combined with dual SD memory card slots should appeal to anyone who wants the convenience of capturing SD memory cards with their DVR, more ports and a brighter screen than the excellent Atomos Ninja V. Naturally, you will have to pay extra for this privilege.

4

Atomos Shogun 7

Best 7″ On-Camera Monitor/Recorder

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Screen Size: 7″
90 013 Screen technology: LCD
Screen resolution: 1920 x 1200
Aspect ratio: 16: 9
Recording capability: Yes
Batteries: 2x Sony L-series NP-F
Touch screen: Yes
HDR: Yes
Brightness: 1500 nits

Pros

  • Ultra-bright 7-inch screen
  • Built-in recorder
  • Multifunctional

    • 900 61 SDI I/O

Cons

  • 2. 5″ SSD costs extra
  • No buttons

Essentially a 7-inch version of the Atomos Ninja V, it’s the perfect solution for those who need an external DVR with a large built-in screen for monitoring footage. Offering real-time 4K recording including ProRes RAW and CinemaDNG, the large screen gives you more control over your footage, allowing you to accurately check focus across the frame.

You can also precisely control exposure with built-in presets that allow the screen to accurately reproduce the camera manufacturer’s Log video formats. With 1500 nits of brightness and over 15 stops true dynamic range, this screen is suitable for both on-set and studio use. This powerful device is suitable for both filmmakers and multi-camera streaming productions.

5

Lilliput A7s

Most affordable 7″ monitor

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Screen size: 7 inch
Screen type: LCD
Screen resolution: 1920 x 1200
9 0013 Aspect ratio: 16:10
Recording capability: N/A
Batteries: Sony L-Style battery slots
Touch screen: No
HDR: No
Brightness: 500 nits

Pros

  • Velcro sun hood included
  • Hinged

Cons

  • Less bright than most LCDs
  • No touch screen

affordable big screen option, the Lilliput A7s offers sensational value for money, accepting 4K content despite being inexpensive. It includes all the features you would expect from an external monitor such as focus peaking, levels, histogram and more. The A7s comes in the box with a silicone case for added protection, a sun hood, and a durable metal ball mount.

Unlike the more expensive on-camera monitors on our list, it’s not a touch screen, so all control is via buttons, although it feels quite comfortable thanks to the ergonomic scroll wheel. Bottom line, if you don’t mind legacy input methods and want the biggest value for money screen for checking footage or photos, Lilliput is a great option that’s both functional and affordable.

6

Desview R7 Plus

Most Affordable 7″ Touch Screen Monitor

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Screen Size: 7″
Screen Type: 9 0014 LCD
Screen resolution: 1920 x 1200
Aspect ratio: 16:10
Recording capability: No
Batteries: Sony L-Style battery slots
Touch screen: Yes
HD R: HDR preview but not HDR display
Brightness: 1000 nits

Pros

  • Intuitive menu system
  • Affordable

Cons

  • Plastic frame
  • Glare screen

If you are looking for a bright 7″ Full HD monitor touch screen and low cost, meet the Desview R7 Plus, a big-screen beauty with 1,000 nits of brightness, an incredibly intuitive touch interface, and tons of accessories included at a great price.

Perfect for shooting outdoors even in freezing temperatures, its display is not only bright, it also offers a combination of touchscreen and key input so even when wearing gloves you can change user profiles and key settings without having to interact with the display Click and swipe oriented. With a sharpness of over 400ppi, the Desview R7 is one of the sharpest displays in the world, and while it doesn’t have an HDR screen, it can still view HDR content.

7

Feelworld FW568

Best budget on-camera monitor LCD
Screen resolution: 1920 x 1080
Aspect ratio: 16: 9
Batteries: Sony L-Style battery slot
Touch screen: No
HDR: No 03

  • Excellent value for money
  • Comes with swing arm

Cons

  • Plastic frame
  • No touch screen

Most affordable on-camera monitor the one we recommend is the Feelworld FW568 5. 5, a compact monitor capable of displaying 4K content at 500 -Nit Full HD display. Complete with a sunshade and tilt bracket in the box, at a low price, it is a fantastic value. Like the Lilliput A7s, it lacks a touchscreen and is less intuitive for shooting indoors, but the advantage of the buttons cannot be overestimated when shooting with gloves.

In addition, the FW568 has plenty of aces up its sleeve, from histogram, false color and exposure overlay to anamorphic mode and headphone output. Weighing just 175g, its plastic construction doesn’t feel super premium, but its light weight makes this monitor a great addition to a gimbal system for shooting on the go.

8

Atomos Shinobi 7

Quality 7″ external monitor

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0014 7 inch
Screen technology: LCD
Screen resolution: 1920 x 1080
Aspect ratio: 16:9
Recording capability: 90 014 No
Batteries: Sony L-Style x2
Touch Screen: Yes
HDR: Yes
Brightness: 2200 nits
Weight: 577g

Pros

  • Brightness 2200 nits
  • Excellent HDR display
  • Two battery slots

Cons

  • Plastic case

also as a great presentation screen for vloggers who want to clearly see what they are recording.

Its 2200 nit screen is a key feature, but it also does much more than just monitor the image. With HDR capability, it offers a built-in log conversion feature, allowing you to see what the raw footage will look like when edited, and even load your own LUTs via the built-in SD card slot.

How to choose the best on-camera monitor

As we have seen, on-camera monitors are indispensable devices for creating video content. They allow operators to see what they are filming in real time and make the shooting process more convenient and efficient. But how do you choose the best on-camera monitor?

Size and resolution. One of the most important aspects when choosing an on-camera monitor is its size and resolution. The larger the size and resolution, the better the image quality will be. But keep in mind that larger size and resolution can increase the cost of the monitor and reduce its portability.

Brightness and contrast. Brightness and contrast are two other important factors to consider when choosing an on-camera monitor. The brighter and more contrasty the monitor, the better it will display an image in bright lighting conditions. Some monitors have an auto-brightness feature that can be very useful when working outdoors.

Inputs and outputs. Another important aspect is the presence of the necessary inputs and outputs on the monitor. Some monitors only have HDMI inputs, while others may have both analog and headphone inputs. When choosing a monitor, you need to make sure that it has all the necessary inputs and outputs for your camera and other devices.

Portable. This is another important aspect to consider when choosing an on-camera monitor. If you often shoot outdoors or move between different locations, then you need a monitor that is easy to carry. Some monitors have batteries, which allows you to use them anywhere without connecting to the mains.

Price . Finally, cost is another factor to consider when choosing an on-camera monitor. Larger, higher resolution monitors usually cost more. But not always the most expensive monitor is the best choice. You need to choose a monitor that fits your needs and budget.

Ultimately, choosing the best on-camera monitor comes down to your preferences and needs. But given size and resolution, brightness and contrast, inputs and outputs, portability and cost, you can choose the monitor that’s right for you.

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Choosing external monitors for DSLR cameras

If you are a filmmaker, shooting on a DSLR, you must have come across problems with trying to focus or frame correctly while looking through the viewfinder or LCD screen. Sometimes this can be difficult, especially if the vision is not very good, and “old age is not a joy.” Thanks to technological progress, you have the opportunity to follow what is being filmed on the camera on a larger screen. External (on-camera) monitors are one of the solutions that we will talk about now.

As a rule, external monitors are easily mounted on a special “shoe”, which is found on most DSLR cameras. In other cases, operators prefer to mount monitors on DSLR rigs. Most monitors are relatively small, ranging from 5 to 9 inches, which doesn’t seem like much, but is much more convenient than the built-in 2-2.5-inch LCD screens of many DSLRs.

What should I consider when buying an external monitor for my DSLR camera?

1. Size: screen size is the main parameter to pay attention to. Generally speaking, the more the better (as long as it doesn’t come at the expense of quality). A larger monitor size allows you to fine-tune focus and see composition in greater detail.

2. Price: Another important parameter is how much it will cost you. The cost of external monitors for DSLR ranges from $300 to $2000. There are those that go beyond these limits, but the main choice will be in this range.

3. Resolution: Screen resolution is important for several reasons. The HDMI outputs on most cameras don’t actually output HD material (we’ll talk more about this below). Therefore, having a monitor with a good resolution will be an important advantage for fine-tuning the focus.

4. DPI (dots per inch): this parameter is more important for photographers than for filmmakers. While resolution measures the number of “lines” of an image, DPI measures how many dots an image forms.

5. Connectors: In general, the most suitable monitor connectors are BNC connectors. They transmit the highest resolution image, and you can be sure that the color transmitted to the screen will be as close as possible to the original. Another plus of BNC connectors is that they are built into camcorders. But DSLRs don’t currently have BNC outputs. Instead, DSLR users have other options: HDMI, CVI, and HD-SDI connectors.

6. Features: Some monitors are also equipped with some features such as image level tracking or color matching.

Canon DSLRs don’t output HD video to the monitor, so why bother?

Firstly, if you are shooting with a Canon DSLR like 5D, t2i (550D), t3i (600D) or 60D, you will not be able to output HD signal to your monitor, even if it is an HD monitor. This is, of course, confusing, since most monitors are connected via an HDMI output that supports an HD signal. And these cameras give an image of about 480p (640×480, which is far from HD). Therefore, a good resolution plays a special role when choosing a monitor if you use it for focusing.

Surely you wondered if there is a solution to the voiced problem for Canon cameras? Well, in a way. All you need is to install additional Magic Lantern firmware on the camera. The good news is that this firmware is free and has already been tested by thousands of filmmakers – owners of Canon – in their projects. Reviews are very positive. The new firmware completely changes the functionality and appearance of your DSLR camera menu. At the same time, you need to remember that Magic Lantern does not support Canon 7D, also to install the firmware you will have to reset the settings to factory defaults, and then install Magic Lantern. You also need to know that after installing a new firmware, the warranty on the camera will be canceled (read more here).

In addition to HDMI signal support, the new firmware adds a bunch of other innovations: zebras on highlights and shadows, crop frames for framing, on-screen sound control – these are just a few of the many innovations that Magic Lantern offers.

Why do I need an external DSLR monitor?

Surely you are asking yourself the question, why do I need a monitor so much? In fact, you don’t need it so much . It’s easy to lose control of your DSLR equipment spending by purchasing all these extra accessories. However, you will likely find that a monitor can be a useful tool for a number of reasons. Next, we will list them and think about whether they are significant for you.

1. Focus: You may be wondering why I can’t zoom in, adjust the focus, then return to the original position for the desired framing? Such a trick can be done with parfocal lenses (zooms), which retain focus when zooming (used for the effect of “collision” on the hero). For non-parfocal lenses (primes), you will not be able to do this.

So now you’re wondering why I can’t use the “Extended focus” option on the camera, which allows you to zoom in (when not recording) and adjust the focus. It’s also great, but it’s not suitable for when you’re recording, so if your camera or subject is moving around the scene, this option won’t be available to you. DSLR monitors are very useful for focusing while shooting. In fact, this focus capability is one of the main reasons for buying an external monitor.

2. Crop: Larger monitor size allows you to see details in your frame more clearly.

3. Movable screen: Most monitors allow you to adjust the screen position to suit your needs. For example, if you raise the camera above your head, then lowering the screen, you will still follow the image. Some DSLRs, like the t3i (600D), also have a swivel LCD screen, so it’s kind of not a big deal. But most DSLR cameras don’t have a swivel screen, so being able to change the viewing angle is a big plus.

4. Several people can see what is being filmed on the camera: Not only the operator can look at the image on the screen. The cameraman and director standing next to each other can look at the camera without squinting at the small LCD screen.

What are the best budget external monitor options for you?

You have a lot of options.